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You can avoid the loss of attack by cutting a little after the transient, then stretching only the sustain/release of a note. Still not ideal, obviously, but you gotta do it sometimes.

I have it, but didn't pick up the Mesa pack. The stock amp sims are pretty decent, although they seem fairly unchanged from the A3 versions. The new Marshall bundle that comes with A4 is awesome, though. Honestly, the Cab Room alone makes A4 worth the price of admission. It's made a huge...

The Steinberg ur824 would be a great choice if you're a Cubase user and the Presonus 192 if you're a S1 user due to how well the interfaces are integrated into the DAWs.

Tried to keep the processing pretty minimal. The raw tones were good on their own. https://www.dropbox.com/s/1xp819mrooa6swd/GD%20catacombs.mp3?dl=0

Also late to the game here. Fun track to mix. https://www.dropbox.com/s/vyx42jparaudevk/SpeedFreak%20mix%202.mp3?dl=0

I know it's way after the deadline, but I stumbled across the multitracks and felt like screwing around. I used all the original tones except for the kick. There's still a few spots I want to do some volume rides, though. I'm also not sure I have the synths coming in at the right spot, so...

I didn't read that last sentence when I got the email. That makes me happy since I'm not a subscription holder at this time.

I like the idea, but why didn't you make the base threaded (and with a hinge) to mount directly on a stand? Plugging that guy into a 57 clip makes it really bulky.

Drums and bass like you normally would, guitar left and send it to a plate reverb panned right. Just like Van Halen used to do.

Islamic State of Iraq and Syria

Sweet walkthrough. I'm curious as to what your guitar rigs were. I don't think I heard them in the video, but I may have just missed that part.

It's some pretty absurd stuff. You guys did great on it!

Great CreativeLive, Nolly. Yours was definitely one of the more engaging sessions I've watched. Any plans on doing another in the future?

Here's my attempt at it.

I like the individual pieces, but together they don't make a very good song. They could've made the metal part into it's own song and kept the AiC vibe going the entire time, or at the very least they could have tried to figure out a way to flow in and out of the metal part. They've got really...

I like my i5 on guitars, but I always find it has to be a little off-axis or else it's too harsh. No experience with the pr20, but I don't think you could go wrong with it.

Is Low Latency Monitoring checked? I think it's under the options menu along with auto-delay compensation.

Sounds badass! Well done, sir.

Nice comparison. All of them are very usuable, but I actually liked the sm81s the least. They sounded a little bland to me.

I used the stereo widener in Ozone on a parallel guitar buss recently. I did some wacky EQ and compression and brought it up with my regular guitars and it gave some really nice width to the tracks. I've tried using different wideners on a normal guitar buss before and I didn't like it much, but...