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Nobody?

Try wiring your pickups for 18V. It'll give you more headroom in the internal preamps in the pickups.

I found the IRs that reneisgod made with a VHT cab, but apparently the stock speakers were replaced with V30s. I'd really like to find some good P50E impulses, preferably of the FatBottom 4x12.

I used the green Tortex Jazz IIIs for a few years...before that, it was the regular green Tortex, and before that, the yellow Tortex. A couple months ago, I started playing around with the new 2.0mm Ultex Jazz III...best-sounding pick I've ever used! Took me a while to get used to the...

More like, Wren will see that and go "Wormtown? Seriously? Whiskey and Shirley Temples beat the be-Spock out of that" then post: Show: May 6@ Ralph's Rock Diner in Worcester, MA Beer: None because beer is nasty and whiskey is better. I still haven't tried any of the Worcester beers...

I'm usually one of the DDs

Seconded. A bunch of the Metal Thursday regulars (myself included) go over there after the show every week, and the waitstaff loves us.

...says the guy who hates fun in his metal :confused:

We should still have at least a few of both short-sleeve designs.

Those are the date ranges that are, as of now, probably good for RVG:TZM.

How do early July, second half of August, or late September sound?

That would be epic as fuck. I'll check with Tim and see when we could do it.

It's a genre that Tim and Brett (founders of RVG:TZM) came up with back around 2001-2002.

http://www.huffingtonpost.com/2010/05/09/betty-white-goes-metal-fo_n_569275.html

So THAT's why you called me "Sweeps" the other day!

based on a mis-hearing of the band's name by one of my customers at Daddy's Junky Music the other day: Trout of Bereavement!

Thanks for the info, guys...especially Jacob! I'll try to use some of these tips on the next recording I do for myself (since my band's sound wouldn't be as well-suited to this type of production)...no idea when that'll be, though!

Interesting, that might explain some of it. Any idea how he normally positions his mics? What about EQ settings?

I was wondering if anyone had any suggestions for approximating the typical Jacob Hansen sound, particularly the way things sound for heavy palm-muting. The album that I think possibly showcases this best would be Mercenary's "The Hours That Remain", but most of Hansen's mixes sound pretty...