Originally Posted by Mike Wead
Great guide indeed!
The only think that leeps to my mind is in a way obvious:
When monitoring,use a sound that make even minor flaws audible i.e. not a forgiving sound that'll give you/your engineer weeks of editing.
The one and only Mike Wead that played with Mercyful Fate/King diamond and now with kryptillusion?
If so remember man I'm a big fan of your playing!