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#1 (permalink) |
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Cereal Shipping Sneapster
Join Date: Dec 2008
Location: Long Beach, New York
Posts: 4,231
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Sneap and Studio Design
As most of you Sneapsters know, Backstage Productions has one hell of a facility
![]() I figure I would make a little thread here (that will hopefully turn into a big one ) about Andy's studio design.Andy, who designed your studio? Was your intent to create a room with a flat response, or one that sounded "right" to you? I ask this question, as a very well known mastering engineer I know has neither worked nor wanted to work in a "treated" room in his life. He has done award winning work for platinum artists with household names from the seventies such as Led Zeppelin and Michael Jackson on to recent acts like Saves the Day, Norma Jean, Evanescence, and more. Would you be so kind to share with us some focal points regarding treatment or gear placement that has helped your mixing and workflow? To keep this rolling, let's try to maybe link to pictures of Andy's studio and analyze what's going on in terms of treatment and gear placement.
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http://www.thetomatofarmstudio.com PM me for Reamping, Mixing, Mastering, and Custom Impulses. Guitar Amps: Baron Custom Amps DHG Diezel VH4 Fortin Natas Marshall JMP 100 (1969 Auth) Marshall JVM 410H Orange Rockerverb 100 MK II Peavey 6505 Rhodes Colossus H-100 Guitar Cabs: Marshall Mode Four 412 Mesa Boogie Rectifier 412 Mesa Boogie Rectifier 212 Rhodes RCS 412 Splawn 412 Clients: The Empire Shall Fall, Eskimo Callboy, Fallbrawl, 26, Vanisher, AeneA, Burials... |
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#2 (permalink) |
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formerly known as Unicorn
Join Date: Nov 2001
Location: Germany
Posts: 3,352
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What I always liked by looking at Andys studio is the big rock walls that surely are great diffusors naturally. Besides it looks awesome.
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my bands: Hel Elane Abscession my studio: Kalthallen --> Kalthallen Cabs - Library of cab IRs and Nebula programs <-- |
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#3 (permalink) |
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Ballclap Supremus
Join Date: Sep 2004
Location: San Luis Obispo, CA
Posts: 10,957
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Bigass pics:
http://www.solidstatelogic.com/news/...neap_large.jpg http://www.solidstatelogic.com/news/...tage_large.jpg
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Arcana Recordings |
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#5 (permalink) |
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Ballclap Supremus
Join Date: Sep 2004
Location: San Luis Obispo, CA
Posts: 10,957
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There were some other fucking HUGE pictures of the entire studio pre-SSL, incl live room and amp room, that were posted before. Wish I could still find them, think they disappeared with the website renovation.
Maybe Brett can chime in?
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Arcana Recordings |
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#6 (permalink) |
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HCAF Blitzkrieg
Join Date: Feb 2009
Posts: 8,047
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The place looks impressive, I can tell you that...
It's easily the second most awesome thing in Belper... The most awesome thing in Belper (and probably the world) is that indian place Andy took us to. Been trying to find an indian place that rivals it ever since
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#9 (permalink) |
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HCAF Blitzkrieg
Join Date: Feb 2009
Posts: 8,047
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wow, that must have been long ago....
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#11 (permalink) | |
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Austrian Blech Machine
Join Date: Aug 2009
Location: Vienna, Austria
Posts: 3,797
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Quote:
"(had to brush teeth with beer and pee, outside)" ![]() It doesn't look like LEDE...can't imagine that the rocks diffuse an aweful lot too, and I guess the windows (which make an über-awesome view) are set in angled? it's hard to see from those pics Also I guess that the one one the pics is only for mxing/mastering, and tracking/editing is done in the other studioroom?
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![]() www.harpiaproductions.com HARPIA DEIIS - Melodic Death/Thrash Metal FACEBOOK | BANDCAMP |
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#12 (permalink) | |
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HCAF Blitzkrieg
Join Date: Feb 2009
Posts: 8,047
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Quote:
those hugeass rocks poking through the walls like semi-spheres are like the best diffusors ever!
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#13 (permalink) |
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Dreaded Moderator
Join Date: Feb 2004
Location: France
Posts: 4,848
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Yeah the room in the pictures is the control room. There's a room for tracking and one small with all the amps for guitar recording. No the glass are not angled. He had some bass traps and clouds in there too.
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#14 (permalink) |
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Senior Member
Join Date: Sep 2006
Location: Hamburg
Posts: 3,169
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Andy your control room is the most inspiring control room I ever saw.
For me, this is the perfect room! I love the combination of high-end stuff, and the rustic look. It looks like a place were you can really relax and get shit done ![]() about the rocks: My college prof. in audio engineering is planning the new studio for the facility and told the architects to build the stone walls the same way, because these style is a hell of a great diffusor
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my Studio www.facebook.com/GabrielGutschmidtAE my Band www.facebook.com/iamrevengehc |
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#15 (permalink) |
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Senior Member
Join Date: Mar 2007
Location: Fife, Scotland
Posts: 4,400
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Great idea for a thread! Would be awesome to see some more pic's of the place.
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#16 (permalink) | |
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Planet Smasher
Join Date: Nov 2005
Location: Aberdeen
Posts: 865
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Quote:
Nick revolutionised eating curry by turning it into a massive Indian burrito; Take naan bread, pour on rice and curry, pick up with hands, eat. Incredible stuff.
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www.myspace.com/mymindsweapon |
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#17 (permalink) |
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HCAF Blitzkrieg
Join Date: Feb 2009
Posts: 8,047
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is that place awesome or what?
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#21 (permalink) |
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Member
Join Date: Feb 2012
Posts: 56
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GREAT THREAD!
Also interested in acoustic treatment of Backstage control room. Interested in monitoring as well! I've read that Andy uses ns10 most of the times and sometimes checks mixes on Genelecs, but I see that he still uses Genelecs 1031a (they are in the studio). If you find some spare time, Andy can you please share, what's your opinion on those Genelecs? I also have a pair, but I'm still in the process of getting used to them (most of the times I feel comfortable with my Adams, they seem to have more pronounced mid range).. Also what's your opinion on room treatment? Some mixers prefer totally treated rooms, with flat response, and some other mostly don't care about the room treatment at all. I guess that control room in Backstage is a big place, so it's easier to avoid some of the problems in the first place. Is there any special design involved like LEDE or something? Acoustic treatment was done by whom, if you can share? ![]() Last edited by slaven22 : August 9th, 2012 at 01:34 PM. |
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#22 (permalink) | |
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Austrian Blech Machine
Join Date: Aug 2009
Location: Vienna, Austria
Posts: 3,797
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Quote:
![]() that's why my inital thought was that they look a bit small...but it's not really easy to get a good feel for the size of the rocks from those pictures! All the rock walls I've seen/heared so far had too small spheres, so they were more a decorative thing than a useful acoustical treatment hehe I'd love to hear one of these walls for sure one time!
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![]() www.harpiaproductions.com HARPIA DEIIS - Melodic Death/Thrash Metal FACEBOOK | BANDCAMP |
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#23 (permalink) |
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Cereal Shipping Sneapster
Join Date: Dec 2008
Location: Long Beach, New York
Posts: 4,231
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Having an "unrealistic" listening space may preserve the "neutrality" of a mix, or represent the mix more naturally; however, the average listener does not often have the luxury of such a listening environment.
How important is it really to get a mix "working" on your monitors rather than a pair of headphones or a car stereo? What is the "best" source to monitor on?
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http://www.thetomatofarmstudio.com PM me for Reamping, Mixing, Mastering, and Custom Impulses. Guitar Amps: Baron Custom Amps DHG Diezel VH4 Fortin Natas Marshall JMP 100 (1969 Auth) Marshall JVM 410H Orange Rockerverb 100 MK II Peavey 6505 Rhodes Colossus H-100 Guitar Cabs: Marshall Mode Four 412 Mesa Boogie Rectifier 412 Mesa Boogie Rectifier 212 Rhodes RCS 412 Splawn 412 Clients: The Empire Shall Fall, Eskimo Callboy, Fallbrawl, 26, Vanisher, AeneA, Burials... |
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