![]() |
|
|
|
|||||||
| Register | FAQ | Donate | Members List | Calendar | Mark Forums Read |
![]() |
|
|
LinkBack | Thread Tools |
|
|
#1 (permalink) |
|
Junior Member
Join Date: Feb 2009
Posts: 3
|
Chris using Ibanez (6 string) S series?
The priest feast tour has shown that now Chris is using 6 strings (at least with megadeth) in the form of 2 S series, one in flat black with "Megadeth" written across it and another which is (from what I could tell, he didn't use it, just saw it from the stand) red.
Can anyone (maybe Chris himself even) shed any information on this? Why the change from seven to six? Why from RG to S? Etc etc. http://img502.imageshack.us/img502/6492/cimg1611ji7.jpg (picture from the Birmingham Priest Feast just for you who haven't/won't be able to see the new S) |
|
|
|
|
|
#2 (permalink) |
|
Member
Join Date: Mar 2005
Posts: 82
|
I think it has to do with the cost of strings. Think about it! Megadeth songs weren't written for 7 string, and Chris therefore adapted some parts to play on the low b (Hiza!).
That isn't really a problem if you think about how convenient not adjusting positions is, but you have to keep in mind how much he uses that low string. Which MAY be a few times every song or two. So if he were to play say two 6 strings a night instead of two 7 strings, right there you save on potentially 2-3 dollars worth of strings a night. Now times that by the amount of shows Mega would play in a tour, lets say 40 shows. The cost of that low B alone would be 80+ dollars. Therefore it is more cost efficient for Chris to play a 6 string, UNLESS he and Dave were up to no good and recorded 7 string stuff! (ps. I just gave blood and this seems like an incredibly clever response!) |
|
|
|
|
|
#3 (permalink) |
|
Junior Member
Join Date: Feb 2009
Posts: 3
|
Hah, it was quite a clever response, though a very unlikely one, kudos for the smart thinkin' though
![]() Someone over at Jemsite said that it was James Lomenzo and Andy Sneap who asked Chris to play 6 strings, another person said that Mustaine had asked him to use 6 strings, questioning his "attack" on the E string, obviously needing the miss out the low B string he felt it was sacrificing some of the attack. Though apparently it was not Dave who requested this, I'll choose to put both sources toghether and say that James Lomenzo and Andy Sneap were the ones questioning the low E attack. ![]() |
|
|
|
|
|
#4 (permalink) | |
|
Senior Member
Join Date: Sep 2004
Posts: 118
|
Quote:
hehe, sorry, dude. but I think that seems like a not so clever response! ... now think about the amount of cables needed... think about paying light tecs, FoH and monitor soundmen, mercher, pryo technicians, a video show maybe (at least, if this appears at a Megadeth gig). tour manager, bus drivers (the place those like 20 dummy speakers waste is huge^^) a low B string is the last problem a band like Megadeth (or any other band) has . plus Chris is endorsed, right? he won't have to pay, or just few for that string... no, without any offense to you! twist the thought around- he isn't using the string during gig, so it's not necessary to change it that often. other than that, I don't have a guess on my own, so who am I? ![]() Chris please tell us! |
|
|
|
|
|
|
#5 (permalink) | |
|
Member
Join Date: Mar 2005
Posts: 82
|
Quote:
It's funny when you realize that is probably the silliest reason someone would give for switching to a 6 string. |
|
|
|
|
|
|
#6 (permalink) |
|
Junior Member
Join Date: Jul 2008
Location: Brisbane, QLD, AU
Posts: 17
|
i noticed the 6 strings myself i had to look twice it was a sad day ...haha just joking..i just figured it was because the whole set list is written on 6 strings so the 7th is probably just in the way at this point seems more economical i guess, but i also noticed chris is using marshall amps now ? thats a suprise..i wonder why he decided to change from engl to marshall
|
|
|
|
|
|
#7 (permalink) | |
|
Junior Member
Join Date: Feb 2009
Posts: 3
|
Quote:
Just a wild guess, but if Zakk Wylde can do it with Marshall MGs, Chris can with the ones Dave uses ![]() |
|
|
|
|
|
|
#8 (permalink) |
|
Senior Member
Join Date: Sep 2004
Posts: 118
|
they most certainly won't all fire at once. maybe 2 speakers, or so. it' s always that way, really.
hmm, it was the priest feast, right? I think their guitarists use Marshall and it would be too much of an exchange to put the ENGL wall there.. Chris' heads and speaker might, indeed, be backstage? Chris, come on, now that you use a string less, you should have enough time to answer (not that's a smart thought, isn't it?^^ ) take care |
|
|
|
|
|
#9 (permalink) |
|
Junior Member
Join Date: Jan 2008
Location: Lisbon, Portugal
Posts: 27
|
Ok, my turn to guess.
I think Chris just played that 6 string to make us comment about it! :P
__________________
- "Some people see things that are and ask, Why? I dream of things that never were and ask, Why not?" Hugo V. Monteiro: http://www.hugovmonteiro.com - Attick Demons: http://www.attickdemons.com |
|
|
|
|
|
#11 (permalink) |
|
Junior Member
Join Date: Feb 2009
Location: 53°22'38.16" N 6°23'34.42"W
Posts: 4
|
I noticed the Marshalls myself, in the Dublin show, so if anyone's wondering, that wall of Marshalls was there from the very start of the tour, hehe.
Like someone mentioned, I guess it's just a front, and I'm sure this may be because of the trouble of having to wheel in the Engl cabs, but since they're on wheels, why not? Wouldn't hurt anyone, haha. Maybe the priest guys were using the same cabs, I don't know. Left before Priest came on, just wasn't interested. Not a leather queen type of guy, I guess :P Anyway, onto the S series Ibanez. If he's not using the low B, then why change it? It doesnt gunk up then, as quickly, so why go through the bother of swapping it out. There goes that theory that zak1 suggested. No one mentioned the fact that Chris tunes to Bb, and his 7th was a .70 I believe, I think it would be way, way easier to just go up a gauge and a semitone, nevermind the .65 or so for the B, and use a 6 string instead. Would make sense from the whole "E attack" standpoint, Chris's tech would have one less string to worry about when balancing the floyd, Dave would be happy, and maybe some other stuff. One thing I don't get is the compromise in the feel of the instrument. I'm sure Chris can damn well hit the E, and to sacrifice the comfort of your hand getting used to one specific type of neck in the end of all those years, I just don't get it. Smells like Mustaines decision. I respect the man, but if you want a hired gun, get used to the man's arsenal. ![]() No words on this on Chris's site either. I checked the web archives from last year before the change to Ernie Ball, and no info either. Maybe someone will ask this on the official Megadeth board... |
|
|
|
|
|
#12 (permalink) |
|
Junior Member
Join Date: May 2006
Posts: 3
|
Chris is playing the 6 string S guitars for 2 reasons 1. Chris loves the zr2 trem that ibanez makes and they are not stock on the rgs
2. Chris loves the 7 string models but it was a band decision to make the change and Chris is a team player. It has nothing to do with string cost or problems hitting the E string. |
|
|
|
|
|
#13 (permalink) | |
|
Senior Member
Join Date: May 2006
Location: Dayton, Ohio
Posts: 116
|
Noticed Chris' switch to 6-strings for Megadeth myself and have held off in posting, but I would say a pretty good explanation is:
Quote:
And low-and-behold turns out to be true. I even noticed the "In The studio pics" in Revolver Magazine that there was a Marshall sitting there and no Engl ( at that time anyways ). All are good respectacle ( and high profile ) companies for Chris and sometimes maybe even able to do more as far as accomodating high profile artists/endorsements, etc. - I like Dimarzio stuff myself! That being said, kudos to Chris for being the "team player", there's no one technique/playing-wise and being the modest down-to-earth guy that he is - that deserves it more! I'm glad Chris has finally found a "high profile" band that has enlightened many other players out there of his abilities - whom may have not known other wise. Exposure is all part of the process if there ever is to be a "CB Signature model"! There's probably been no one more in the 7-string community that has waived the " 7 Flag" more than Chris and with his recent aquisition of 2 new LACS 7's - I'm sure he hasn't left them far behind - as testament to the Simon Phillip's Tribute Concert ( still waiting to see pics of the white translucent one )! I will miss Chris' signature 5-octave arpeggio lick with Megadeth though... And if Chris ever does tire, he can always sell me one of his LACS 7's Ha! |
|
|
|
|
|
|
#15 (permalink) |
|
Chris Frost
Join Date: Sep 2006
Location: UK
Posts: 27
|
I was talking with Chris about this last night, and he says "It's part of the brand of Megadeth. I am a 7 String player and always will be, but whilst I'm in Megadeth, I'll be using 6's".
Likewise, he went on to say he's not using the ENGL's for Megadeth either. |
|
|
|
|
|
#16 (permalink) | |
|
Chris Frost
Join Date: Sep 2006
Location: UK
Posts: 27
|
Quote:
|
|
|
|
|
|
|
#17 (permalink) |
|
Junior Member
Join Date: Feb 2009
Location: New Jersey, USA
Posts: 26
|
This doesn't surprise me too much, I didn't think that the 7 string would really fit with Megadeth's style that well, and playing 6 string stuff even on a 7 string is a bitch.
I'm personally more surprised Mustaine hasn't persuaded [forced] Broderick to start playing Dean yet. |
|
|
|
|
|
#18 (permalink) | |
|
Junior Member
Join Date: Jan 2008
Location: Lisbon, Portugal
Posts: 27
|
Quote:
I was kind of disapointed to see a 7 string player "going back" (I'm not saying that it's going backwards) to 6 strings, but with that kind of statment he completely removed my worries...not that I or anyone else had something to say about that...in my opinion...Hey, this even shows the versatile player he his and is becoming: playing acoustic guitar, flamenco, Jazz, 7 strings, 6 strings, etc. Either way, I went to see Megadeth in Priest Fest yesterday, at Lisbon, and I took some pictures of the show...Chris was using two Ibanez S series, one blue (I believe) with Megadeth logo and another one red. I don't really like the S series visual aspect, specially the solid colors they have..they aren't very heavy-metal for me. But either way... It would be very cool if Chris asked Ibanez to build 2 LAC models identical to his two 7s, but with 6 strings! :-)The show was really cool...I really like everyone's stage presence, the stage is very well thought with Chris and James shadow's projected in the back of the stage, with various light effects, very cool! The sound was amazingly tight! As I am also a guitar player, with some years of music studies with hear training and stuff, and having a very sensitive hear, I find absolutely amazing that Chris can play all the Marty and Chris Poland's lead solos almost accurately with almost the same feeling...I know some of Marty's solos by hear, the articulation, nuances and feeling...and Chris accurately reproduces the solos exactly has they are recorded in the album. Quoting Dave's phrase "(...)I think that the guitar company that snags him is going to be lucky." I make Darin J Moore's words my own when saying that "I'm glad Chris has finally found a "high profile" band that has enlightened many other players out there of his abilities ". He well deserves it! Since a long time ago...I don't even know him and never spoke with him.... but by hearing others and seeing his attitude towards everything that happened to him...I really believe he well deserves it! Cheers, Hugo
__________________
- "Some people see things that are and ask, Why? I dream of things that never were and ask, Why not?" Hugo V. Monteiro: http://www.hugovmonteiro.com - Attick Demons: http://www.attickdemons.com Last edited by HvM : March 18th, 2009 at 12:31 PM. |
|
|
|
|
|
|
#19 (permalink) | |
|
Junior Member
Join Date: Jan 2008
Location: Lisbon, Portugal
Posts: 27
|
Quote:
cheers, Hugo
__________________
- "Some people see things that are and ask, Why? I dream of things that never were and ask, Why not?" Hugo V. Monteiro: http://www.hugovmonteiro.com - Attick Demons: http://www.attickdemons.com |
|
|
|
|
|
|
#20 (permalink) |
|
Senior Member
Join Date: Feb 2005
Location: Belgium
Posts: 176
|
Why should Dave want him to play Dean? Dave played with so many brands himself and I personally think he likes them all for different reasons so doesn't really care what Chris plays with. 6 string for Megadeth, that sounds totally normal to me, I would've think it's strange that he'd stay playing 7 strings, it doesn't fit with Megadeth. Why a change to the S series? Maybe a simple reason: it's just fun to play with different gear from time to time
![]() |
|
|
|
|
|
#21 (permalink) | |
|
Join Date: Apr 2009
Location: Greater Melbourne metropolitan area, Australia
Posts: 2,111
|
Quote:
I can still play all the Megadeth riffs I learnt on a 6 string just fine. Of course, if you don't have a good muting technique, you'll get extraneous noise from the low B string from time to time, but come on, seriously, if you have your technique down, playing 6 string stuff on a 7 is no harder than playing it on a 6. I don't think someone of Chris Broderick's caliber had trouble playing the material on a 7 string. I think though, what was said above is true. It's easier to deal with a locking trem on a 6 string than a 7 string, and a 6 string has a different sound due to the smaller neck, and the tonal difference might have been more suitable perhaps.
__________________
|
|
|
|
|
|
|
#22 (permalink) |
|
with WILLFUL intent...
Join Date: Aug 2001
Location: Southern NJ
Posts: 17
|
Wow...but I knew it was going to happen eventually. I had the slim hope that Dave had tamed a bit with enforcing things like this but I guess some things never change. I like Mustaine and Megadeth and have followed Dave and crew since the mid 80's, so I am a fan and it's been cool as hell to have Chris in the band, especially after being a JP fan as well...but I really dig Chris's style with the 7 String and I LOVE his tone with the Engl! I've played Ibanez guitars myself (RG series!) since the 80's and I even got myself an Engl Invader a couple of years ago. Not all because of Chris, but his playing and tone we're definitely a contributing factor! I found it pretty damn cool to see a recent HDnet concert recently with all those Marshalls, and that menacing Engl section behind Chris. Cool.
Chris uses an Engl Special Edition which is a killer amp and is in NO WAY an inferior amp to any Marshall. I was looking forward to hearing some Engl tones on the new Megadeth but it sounds like it's not going to happen. Yeah Marshall is like THE standard amp and it's certainly possible to get great sounds with them, but the Engl SE is such a monster amp with a presence and perfect match for a style like Chris'. It is refreshing to see someone using something other than the de facto standard to get the sound he or she feels is right for them. I sure hope he isn't stuck using Digitech digital stuff.... yuck! Where is all of this this stated at anyway? I'd like to read more about it. The modeling and rack stuff Dave and Glenn were using previously were Line 6 and Rocktron Prophesy preamps. As for the explanation above in regards to Judas Priest using Marshalls...um...JP are using Engls now! I'm sure they stack up the Marshalls for show but I believe KK and Glenn are recent Engl endorsees now. I'm well aware Chris is going to impress and slay with whatever amp or gear he uses without question! I just liked seeing Engl in a high profile band and again, being the gear junkie that I am, I liked the tones and sounds he got out of the amp. The RG LAC series were also great guitars. The S series look smaller. My wife plays an S series Ibanez! Nothing against guys who use them...just that they're slimmer, lighter guitars and I prefer the look of the RGs. It just seems so over the top that a "band decision" was needed to tell a band member what equipment to use when he already uses top notch stuff! Again...Kudos to him for being a team guy. Not many of those around anymore and it shows that the guy has a grounded personality to go along with his amazing abilities. ![]() Last edited by Yellicky : May 2nd, 2009 at 09:22 PM. |
|
|
|
|
|
#23 (permalink) |
|
Deathstrike lambtron
Join Date: Aug 2002
Posts: 2,872
|
I think you're reading into this too much. When he gets tired of putting up with dave's shit, he'll hopefully go back to the engl and 7 strings.
Personally, i'd rather hear some new nevermore and jag panzer than megadeth. |
|
|
|
|
|
#24 (permalink) | |
|
Junior Member
Join Date: Jan 2008
Location: Lisbon, Portugal
Posts: 27
|
Quote:
The problem in playing 6 string riffs or rhythms on a 7 string, is because of the pick/plectrum's attack angle on the 6 string,the main string used in rhythms. On a 6 string, the angle of attack that most players use it's basically a 90º from the pick/plecturm to the string, on a 7 string is not, it's the same as in all other strings except the 7 string, that is, 6,5,4,3,2,1 are played in about 45º angle, and the 7 is in a 90º angle. In a 6 string is 45º angle for 5,4,3,2,1 and 90º for the 6 string. All this to say that, the sound/tone you ear from playing rhyhthm on the 6 tring differs greatly from a 6 string guitar to a 7 string guitar, because of what I just explained. And because the majority of the rhythm compositions made on a 6 string guitar are for the 6string...there's a problem when using 7 string...you can't get enought "heaviness" when needed, it's physically impossible. The mutting technique is not an issue on a 7 string guitar, as well as using a Floyd-Rose tremolo on a 7 string..it's irrelevant, you'll learn how to use it with practicing and playing. What's relevant and important is getting used to the wider neck and specially making the necessary mental adjustments concerning the extra 7 string, when playing. Cheers, Hugo
__________________
- "Some people see things that are and ask, Why? I dream of things that never were and ask, Why not?" Hugo V. Monteiro: http://www.hugovmonteiro.com - Attick Demons: http://www.attickdemons.com |
|
|
|
|
![]() |
| Thread Tools | |
|
|