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#14703 (permalink) |
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Li3k omgz0r?
Join Date: Aug 2007
Location: -
Posts: 484
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Nah. Caparison Horus all the way.
Or not really, gotta say those Edwards are gorgeous too. Still, Caparisons are probably better, and I like some of their finishes alot better - + their p-ups kicks ass.
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![]() Mattias "IA" Eklundh
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#14704 (permalink) |
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bass solo, take one
Join Date: Jul 2006
Location: Southern Cali
Posts: 4,680
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What do you do when one of your strings is a bit flat and you can't even turn the fine tuner anymore cuz it's as tight as it can be? Should I open the nut lock and just use the regular tuning peg to make it more sharp and risk snapping the string?
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too much spice, too umm...too many notes! |
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#14705 (permalink) | |
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SUX!
Join Date: Jul 2007
Posts: 1,620
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reset all the fine tuners to the middle of their range, open the nut, retune from scratch
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#14706 (permalink) | |
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bass solo, take one
Join Date: Jul 2006
Location: Southern Cali
Posts: 4,680
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oh wait, I'm guessing it would fuck up the tension and mess up all the other strings as well...?
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too much spice, too umm...too many notes! |
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#14709 (permalink) | ||
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SUX!
Join Date: Jul 2007
Posts: 1,620
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#14712 (permalink) | |
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SUX!
Join Date: Jul 2007
Posts: 1,620
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i actually considered changing it to something cheesy like lord_requiem but uh...
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#14714 (permalink) | ||
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SUX!
Join Date: Jul 2007
Posts: 1,620
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), my vote will be for mediterranean sundance (al di meola). the solo section bit that starts off in E-Aeolian, going Emin, Amin, Dmaj7, Gmaj, then switches to E-Phrygian with the Fmaj, Emin, and finally ends with a harmonic minor bit with i believe off the top off my head is another Dmaj7, although i don't quite remember, it might go to F#dim, B7. I was jamming on that the other day, i think all the modulations would kind of make the jam interesting, as well as it being a pretty upbeat track.
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#14715 (permalink) |
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bass solo, take one
Join Date: Jul 2006
Location: Southern Cali
Posts: 4,680
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I thought Aeolian was indeed the minor scale...so you say he starts in E Aeolian and then goes to Emin...
![]() And with all those key changes, I don't think most of the people here will be able to handle it.
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too much spice, too umm...too many notes! |
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#14716 (permalink) | ||
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SUX!
Join Date: Jul 2007
Posts: 1,620
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but wtf, it's 2 SCALES PEOPLE!! ![]() and, ONE NOTE DIFFERENCE ffs ![]() ![]() (well -technically- 3 and 2 but yeah )
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#14718 (permalink) | ||
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SUX!
Join Date: Jul 2007
Posts: 1,620
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next 2: E F G A B C D E (e phrygian) last bit: E F# G A B C D# E (e harmonic minor) * *note: you don't HAVE to use the harmonic minor in here, but if it's a backing with the dominant chord it's rather implied (among a few other scales...)
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Last edited by shredtastical : June 29th, 2008 at 05:20 AM. |
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#14719 (permalink) |
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Senior Member
Join Date: Apr 2003
Location: Germany - Cologne
Posts: 2,931
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Shredtastical is right. The only difference between the first key (G or Em) and the second (C or Am) is that you play F# in the first instead of F like in the second.
Some thoughts: I wouldn't play E aeolian over Dmaj7. Dmaj7 is not part of G (the key) because of the c#. So if you play the sixth note of E-aeolian (c) over Dmaj7 with it's c#, it may sound like shit. And the B7 would make sense, because the D# in the harmonic minor would be the major 3rd (english name?) in the chord B7. Sounds like a good idea for a BT to me. |
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#14720 (permalink) | ||
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SUX!
Join Date: Jul 2007
Posts: 1,620
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and i fucked up, it's just a D ![]()
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Last edited by shredtastical : June 29th, 2008 at 02:23 PM. |
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#14724 (permalink) | |
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bass solo, take one
Join Date: Jul 2006
Location: Southern Cali
Posts: 4,680
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Quote:
and also what happened to that Fmaj you mentioned? that would have Bflat in it ![]()
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too much spice, too umm...too many notes! |
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