![]() |
|
|
|
|||||||
| Register | FAQ | Donate | Members List | Calendar | Mark Forums Read |
| F.O.H. Production tips, techniques, tutorials... |
![]() |
|
|
LinkBack | Thread Tools |
|
|
#1 (permalink) |
|
Senior Member
Join Date: Aug 2011
Posts: 738
|
Drum replacing workflow, samples over SD2
can you share your workflow? i use SD 2 for all of my drums, but manyh times i feel the snare and kicks are very limited.. cant get much out of them.
specially getting hard time to get a good snare sound with large snare room sound. i though of using some sample that i got/bought from here over my superior drums. what is your workflow for this? can combining sifferent rooms and kit piece sound real in any way? do you just use your superior iutput to trigger things like srumagog or stuff? i am specially cuious about snare, and snare room sounds. thanks!
__________________
Aviel Nahoum Jackson DK 2M Snowhite ESP Eclipse Engl Powerball Peavy 6505 Legacy 4x12 v30 Palmer Dacappo reamp box. i do reamps, hit me up |
|
|
|
|
|
#2 (permalink) |
|
Humanoid typhoon
Join Date: Sep 2010
Location: Tulsa, Oklahoma.
Posts: 1,370
|
Check Ola's SD2 tutorial in the stickies thread. This is what I do.
__________________
![]() GEAR: Amps: Randall RH100 Cabs: Mesa Traditional (v30) Behringer oversize (Jensen 70) Pedals: TS9, BBE Free Fuzz, Dunlop CFH Dime Wah. Outboard: DBX 288XL, Presonus TubePRE (DI), hand-built Line2Amp reamp box. DA: Tascam US-1800. Mics: Rode NT5 x2, SM57, i5, D6, e609, AKG P120/220. Monitoring: KRK Rokit 8, Mackie MR5. |
|
|
|
|
|
#3 (permalink) |
|
Ballclap Supremus
Join Date: Sep 2004
Location: San Luis Obispo, CA
Posts: 10,954
|
You already have a MIDI file to use? That's 80% of the battle right there.
__________________
Arcana Recordings |
|
|
|
|
|
#5 (permalink) |
|
Senior Member
Join Date: Aug 2011
Posts: 738
|
yup i have. i am programming the drums. the thing is that i am not satisified with snare sound
__________________
Aviel Nahoum Jackson DK 2M Snowhite ESP Eclipse Engl Powerball Peavy 6505 Legacy 4x12 v30 Palmer Dacappo reamp box. i do reamps, hit me up |
|
|
|
|
|
#6 (permalink) |
|
Senior Member
Join Date: Jan 2011
Location: Cleveland, OH
Posts: 136
|
If you're replacing drums and are using Pro Tools, I'd look into Massey's DRT. It's the best detection/sample replacer I've ever used.
If you're looking to trigger non-S2.0 sounds with midi, look into something like Structure or Kontakt. Trigger has midi-in, but there's a bug that randomly introduces delay.
__________________
Dave Piatek dave@roomsound.com Unprocessed Drum Samples for Recording Pros www.roomsound.com |
|
|
|
|
|
#8 (permalink) |
|
It's shittay!
Join Date: May 2009
Location: Kansas
Posts: 370
|
What I do is, first I run everything through Addictive Drums, using a completely raw kit, then I build multi-channel routing for each mic, then with that, I slap Trigger on each shell, and trigger the raw sounds (I have to heavily EQ the kick and toms most of the time, they're so boomy when unprocessed the waveform looks like a big-ass triangle).
|
|
|
|
|
|
#11 (permalink) |
|
Senior Member
Join Date: Aug 2011
Posts: 738
|
i did tried layering for a few times, but it always resulted in strange things. i am never able to get a nice space from those drums, specially in the snare area. i fins that kick and snare samples posted here on the forums are much better.
dominggo, i will have a go on those, thanks!
__________________
Aviel Nahoum Jackson DK 2M Snowhite ESP Eclipse Engl Powerball Peavy 6505 Legacy 4x12 v30 Palmer Dacappo reamp box. i do reamps, hit me up |
|
|
|
|
|
#12 (permalink) | |
|
Senior Member
Join Date: Nov 2009
Posts: 1,165
|
Yeah watch Ola's tutorial. Basically you just send your snare mic out of a different output in superior, set up an aux track in your DAW that the snare will now go through, and stick Trigger/ drumagog on that track, and it will replace it just like any other snare track...
__________________
Quote:
|
|
|
|
|
|
|
#13 (permalink) |
|
Space Cowboy
Join Date: Mar 2010
Location: Borlänge, Sweden
Posts: 559
|
play with the internal mixer. for example you can drop everything but the snare on the room channels, bus them together and comp. that way the snare room is dominant and driving the comp very naturally, like if you had a room that reflected a lot of midrange. w/ metal foundry the only thing i really feel like replacing is the kick. Avatar and TMF kicks are both very "plastic" and don't go too well with their own toms, no matter what processing i do i just end up with that same old crappy boxy periphery sounding abomination of a kick drum. also, the Avatar snares are way more awesome than the TMF ones, Avatar studios just got a way better sounding room than Dug Out studios. so I often end up layering an Avatar snare on top of something from the TMF library. so there is loads to get out of SD2, just drumagog the kick 100% (auto align off) and play around. glhf
|
|
|
|
|
|
#14 (permalink) | |
|
Senior Member
Join Date: Aug 2011
Posts: 738
|
Quote:
__________________
Aviel Nahoum Jackson DK 2M Snowhite ESP Eclipse Engl Powerball Peavy 6505 Legacy 4x12 v30 Palmer Dacappo reamp box. i do reamps, hit me up |
|
|
|
|
|
|
#15 (permalink) |
|
Humanoid typhoon
Join Date: Sep 2010
Location: Tulsa, Oklahoma.
Posts: 1,370
|
RTMFM
You can adjust how much of the kit is in your room mics in the mixer, under the "bleed" function. Give your room mics more snare..bus to group comp.
__________________
![]() GEAR: Amps: Randall RH100 Cabs: Mesa Traditional (v30) Behringer oversize (Jensen 70) Pedals: TS9, BBE Free Fuzz, Dunlop CFH Dime Wah. Outboard: DBX 288XL, Presonus TubePRE (DI), hand-built Line2Amp reamp box. DA: Tascam US-1800. Mics: Rode NT5 x2, SM57, i5, D6, e609, AKG P120/220. Monitoring: KRK Rokit 8, Mackie MR5. |
|
|
|
![]() |
| Thread Tools | |
|
|