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Old February 12th, 2006, 07:12 PM   #26 (permalink)
NK
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Quote:
Originally Posted by Genius Gone Insane
That's so funny, I never noticed that until you brought it up. I got that album way before I got into recording and always assumed it was supposed to sound that way. Cool.
Well..with all due respect, it certainly wasn't intentional. There was a time back then that any album that had a lot of gain would clip older systems. The main issue for DNB was the fact that I mixed the bass nice and loud, and while it was fine on HDCD systems, it apparently gave a few older (particularly car) stereo systems fits and problems.

As I've always said, I do accept responsibilty for this anomaly. As per usual, I was just trying to make the album sound as full and powerful as possible, but this one came back and bit me in the arse. Ouch! As you can imagine, this is a considerable source of embarrassment.

For any inconvenience regarding DNB, I most certainly apologise. For those people who still experience issues, hopefully as time passes, along with the acquisition of newer stereo gear, you'll no longer hear these artifacts that are experienced by older stereo equipment due to their lower headroom capability.
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Old February 12th, 2006, 08:34 PM   #27 (permalink)
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Or the label could ask Andy to remix it ! Hahaha
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Old February 12th, 2006, 08:51 PM   #28 (permalink)
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^ Ooh, don't go there man... haha.

@NK: Certainly appreciated that you take responsibility for it.. but I mean really, it was an unforseeable circumstance, and its hardly a huge issue. We were still given a great album with great production, regardless if it clipped our systems. So thanks!
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Old February 16th, 2006, 05:46 PM   #29 (permalink)
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It was a technical things that almost no-one outside music production would ever notice. The job done on DNB was phenomenal, entirely. It was a wonderful mix.
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Old February 16th, 2006, 06:32 PM   #30 (permalink)
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Quote:
Originally Posted by Brett - K A L I S I A
Or the label could ask Andy to remix it ! Hahaha
Why, thanks a lot Brett.
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Old February 16th, 2006, 07:21 PM   #31 (permalink)
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haha, see, I can be funny sometimes,
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Old September 4th, 2007, 08:09 PM   #32 (permalink)
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Neil, were Van's kicks miced or triggered? If micked, how did you get that incredible tone and punch? Plus the wetmess of the drums is EXCELLENT!!! I love DNB!!

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Old September 4th, 2007, 08:16 PM   #33 (permalink)
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They were miced, and then I mixed a sample in a bit for sonic consistency.
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Old October 17th, 2007, 03:15 PM   #34 (permalink)
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The guitars have a totally awesome "speaker excursion" quality to them on that album that I have striven for ever since I heard it. Hands down, this is the best Nevermore disc all around, and I've been a fan since Sanctuary. This album sounds so good loud, as opposed to the recent ones that sound worse as you turn them up.
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Old October 19th, 2007, 09:34 PM   #35 (permalink)
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ahlan Neil! (that's hello in arabic), Dreaming Neon Black is one of my favorite Nevermore albums. I remember hearing Christine Rhoades, the female vocalist in the title track, was in another band before, do you remember which band that was? I hope all is well with you. - Aziza
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Old October 19th, 2007, 10:15 PM   #36 (permalink)
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I remember seeing her band play live when I lived in Seattle. I'll have to think more about the band name though - it escapes me at the moment. I think I only saw them once or twice. They were very good - sort of goth/industrial.
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