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#1 (permalink) |
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Senior Member
Join Date: Dec 2002
Location: In The Village....
Posts: 349
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Dokken guitar set-up
Hi Neil!
I was wondering what kind of guitar set-up George Lynch used on the albums you worked on? I know he used a Marshall rig live. I've heard a rumour that he used a small combo to record in the studio, is that true? |
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#2 (permalink) |
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Complete Bastard
Join Date: Sep 2001
Location: USA
Posts: 913
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I did 3 albums with George - two with Dokken and one with Lynch Mob.
On ULAK, we used a heavily modified Marshall head (mod was done by Lee Jackson of Metaltronix). On BFTA we used a completely stock purple Marshall (1969 model number) head. It sounded absolutely amazing. On Wicked Sensation we used a Soldano head that belonged to Warren DeMartini of Ratt. I don't think I ever saw a Marshall combo in the studio during those sessions... ![]()
__________________
Neil K. http://www.auslander.net http://myspace.com/neilkernon "If what you want from a movie is a lot of Stallone looking morose and pensive before suddenly going apeshit, then Rambo is your kind of experience" |
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#3 (permalink) |
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Senior Member
Join Date: Jul 2005
Location: Germany
Posts: 1,122
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strange, i was about to post a similar question
![]() back for the attack is amazing, musically and sonically. the rhythm tone is somewhat weak by today's standards - although it fits the music well - , but the lead tone is AMAZING. apparently lynch used some form of sustainiac for all his leads, as well as a tubescreamer? or was the TS also used for rhythm tones? and btw, what exactly did that sustainiac thing do? is it comparable to the sustainiac device that's e.g. built in the jackson DK2 something model? (http://www.thomann.de/de/jackson_dk2s_egitarre.htm) any other info regarding the production on back for the attack? so many questions well, it's a great record ![]() |
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#5 (permalink) |
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Complete Bastard
Join Date: Sep 2001
Location: USA
Posts: 913
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Yes, we used the sustainiac for the leads on BFTA. I love those things (I still own two of them). They are a large pedal unit with two pedals, one that sends a boost of tonic (root note) feedback into the transducer, and the other that sends a dominant (fifth) into it. The transducer fits on to a magnet that's attached to the back of the headstock, and is powered by a 60 W amp. So when you hit a note, then step on the pedal, a massive burst of power is sent into the neck and the guitar vibrates and occasionally screams with pleasure. All great fun. I used to run the pedal part and do the punch-ins at the same time, so George didn't have to worry about anything but playing the solos.
I think the sustainiac is made by the same people who make the sustainiac built in device, but it's FAR more powerful - the pedal that houses the 60W amp itself is a good size. No pedals were used for the rhythm tone, but we did use a TS for the leads, at least for some of them. Warren and George were, and probably are, still good friends. They grew up together in Orange County I think.
__________________
Neil K. http://www.auslander.net http://myspace.com/neilkernon "If what you want from a movie is a lot of Stallone looking morose and pensive before suddenly going apeshit, then Rambo is your kind of experience" |
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#7 (permalink) |
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Complete Bastard
Join Date: Sep 2001
Location: USA
Posts: 913
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None whatsoever.
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__________________
Neil K. http://www.auslander.net http://myspace.com/neilkernon "If what you want from a movie is a lot of Stallone looking morose and pensive before suddenly going apeshit, then Rambo is your kind of experience" |
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#9 (permalink) |
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Complete Bastard
Join Date: Sep 2001
Location: USA
Posts: 913
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I remember we had borrowed more than one old Plexi from Aspen, so I can't guarantee that it was always the purple one that we used. George might come in one day and not be feeling the sound that day so we'd mess around with the amps until things sounded better. I'm pretty sure all the rhythms were the purple one though.
__________________
Neil K. http://www.auslander.net http://myspace.com/neilkernon "If what you want from a movie is a lot of Stallone looking morose and pensive before suddenly going apeshit, then Rambo is your kind of experience" |
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#10 (permalink) |
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Bloody vaginal belch
Join Date: Oct 2007
Posts: 2,087
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Hey!
How many times have you tracked the guitar parts on BFTA? And do you remember how you panned them? What has been done with the guitar sound in Mr. Scary? If i listen really carefully to it, i think i can hear the guitar tracks pitched down an octave? |
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#11 (permalink) |
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Complete Bastard
Join Date: Sep 2001
Location: USA
Posts: 913
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We had four tracks, two left and two right.
There were a total of 17 guitar tracks on Mr Scary. On some melodies we used an octavider added in for effect.
__________________
Neil K. http://www.auslander.net http://myspace.com/neilkernon "If what you want from a movie is a lot of Stallone looking morose and pensive before suddenly going apeshit, then Rambo is your kind of experience" |
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