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#251 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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Found your problem.
First, make sure the TS9 isn't modded. Second, set the gain so that there is no change in volume between 'pedal on' and 'pedal off' (on the *clean* channel!) so that you can judge the pedal on fair ground. TAKE CARE HERE. If you perceive more gain, there's a good chance you've turned your level too high. Third, don't expect to hear much of a mid boost when the amp is on a dirty channel - you'll notice more focus and less flub, unless the pedal is fucked or your pickups already have an EQ curve that looks like a fucking barn viewed head-on. The mid boost should be significant on a clean channel, but after distortion (and the massive tone shaping that goes on in your fourteen fucktillion gain channels) it won't be as if your mid knob went from zero to ten in quite the same way. If you could provide clips of some kind that would help, but let me know what that does. Jeff |
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#253 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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Both questions were answered earlier.
Unless you know what you want already, don't ask what the 'best mod' is - find something you want changed and figure out what will do that. For the 808 specs... unless you can read resistor color codes it wouldn't do much good for me to tell you. http://www.tonepad.com/photoessay.asp?photoEssayID=9 is a good writeup. Jeff |
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#254 (permalink) | |
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Senior Member
Join Date: Jun 2009
Posts: 125
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#255 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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(Pardon the delay, I didn't get an email notification for that post.)
Lots of guitarists are wankers. Some things aren't explained by technical superiority - the fact that all sorts of other guitarists use that model is a big deal. I might seem a bit too cynical and harsh with this, but the fact that these same guitarists will (after saying that their ears are so great that they can identify one over the other with near-perfect accuracy) describe a TS as a 'clean boost' - when the TS completely fails to be clean in EQ or dynamic response in a very clear way - makes it incredibly hard for me to not think 'full of shit' here. Many guitarists go with the most expensive pedal they can afford (as evidenced by $500 clones of the original TS pedals, with components dating back to the original manufacture) or whatever they see someone else using, since actually diving into details and schematics seems scary. The simple fact of the matter is that you have an incredibly high chance of running into bigger variations due to component tolerances than schematic changes - and some guitarists' propensity towards taking a single short experience as divine truth doesn't help the related misunderstandings. It should not be surprising to compare two TS9s and two TS808s and perceive that the two TS9s sound more different than one of the TS9s and one of the TS808s - when the resistor labeled as '100kOhm' has as its actual reading some practically-random number between 80 and 120 kOhms, different pedals of the exact same make are all but guaranteed to change like a middle school choir's repertoire. Jeff |
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#256 (permalink) |
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The call of the couch
Join Date: Feb 2005
Location: New York, USA
Posts: 19,983
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+1 to all Jeff's cynicism and mistrust of stupid easily-influenced guitarists who gobble up placebo like it's booze!
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__________________
Please check out my EP! (updated mix) Thread | MyspaceGuitars: Ibanez Prestige RGA321F (EMG 81's @ 18v); Jackson DK2 (JB + STK-S1n); SX Jazz Bass (EMG PJ set) Recording: RAIN Recording Livebook; REAPER; Mackie Onyx 400F; Tannoy Reveal 5A's; Audio Tech. ATH-M50's; Superior 2.0; Voxengo Elephant www.myspace.com/marcushedwig |
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#257 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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I'm sure it gets tiring to a lot of people, which I don't particularly mean to do, but I mean it when I say that I'm only cynical and negative because bringing about change requires knowing what to change. I wouldn't be so damned negative all the time if I didn't want everything to be better, and hopefully posts like that one make up for harshing everyone's morning mellow all the bloody time...
Jeff |
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#258 (permalink) |
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The call of the couch
Join Date: Feb 2005
Location: New York, USA
Posts: 19,983
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For those curious to hear the effect a TS has when used properly (meaning, NOT AS A CLEAN BOOST, notice the amount of gain doesn't change between clips
)...The power of a Tube Screamer on a 2 ch. Dual Rec (And, new interface = better tonez!)
__________________
Please check out my EP! (updated mix) Thread | MyspaceGuitars: Ibanez Prestige RGA321F (EMG 81's @ 18v); Jackson DK2 (JB + STK-S1n); SX Jazz Bass (EMG PJ set) Recording: RAIN Recording Livebook; REAPER; Mackie Onyx 400F; Tannoy Reveal 5A's; Audio Tech. ATH-M50's; Superior 2.0; Voxengo Elephant www.myspace.com/marcushedwig |
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#259 (permalink) | |
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Senior Member
Join Date: Jun 2009
Posts: 125
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Quote:
So, the TS9 isn't a true "clean boost" but we all know that, right? when certain (which are many) guitarists prefer to use the Maxon OD808 as a clean boost rather than the Reissue TS9 the differences they are hearing can be attributed to their anal tendencies? Or like someone else said falling for placebo? Maybe what they hear isn't the clean boost but the certain characteristics that make up the sound when ATTEMPTING to clean boost a tubescreamer? Am I making sense here? haha. There's A LOT of people that swear by the Maxon. I must attempt it for myself I guess to truly see if it's all hoopla and then decide if I want to mod my TS9 |
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#260 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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The TS is neither clean (since it clips and filters significantly) nor much of a boost (it really doesn't add a whole lot of gain to the picture), so when guitarists say that you have every reason to hold them very suspiciously.
Jeff |
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#263 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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I also responded to it last page - there's nothing surprising about the lack of differences between THE SAME CHIP (differing only in manufacturer), their tests left out a massive factor in our selection (noise in high-gain situations), and their testing method is about as scientific as a Pepsi Challenge taken by allergic smokers.
Jeff |
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#264 (permalink) | ||||
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The call of the couch
Join Date: Feb 2005
Location: New York, USA
Posts: 19,983
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Jeff, I've been debating over on the Boogie board about boosts and Tube Screamers, and am in need of your input. The story thus far:
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__________________
Please check out my EP! (updated mix) Thread | MyspaceGuitars: Ibanez Prestige RGA321F (EMG 81's @ 18v); Jackson DK2 (JB + STK-S1n); SX Jazz Bass (EMG PJ set) Recording: RAIN Recording Livebook; REAPER; Mackie Onyx 400F; Tannoy Reveal 5A's; Audio Tech. ATH-M50's; Superior 2.0; Voxengo Elephant www.myspace.com/marcushedwig |
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#265 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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He's talking about yanking the gain up and 'retaining the tone of the original signal'... I'm not sure how he thinks gain knobs work, or why he doesn't seem to think that proper bass control before clipping is the most essential part of a pleasant distortion next to having an *input signal*, but I'd stay clear of that bait.
Jeff |
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#266 (permalink) |
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The call of the couch
Join Date: Feb 2005
Location: New York, USA
Posts: 19,983
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Is there any truth about it being different to "slam the input with a hotter signal" and about the preamp's "natural clipping point" and such, rather than increasing the gain with the amp's knob?
__________________
Please check out my EP! (updated mix) Thread | MyspaceGuitars: Ibanez Prestige RGA321F (EMG 81's @ 18v); Jackson DK2 (JB + STK-S1n); SX Jazz Bass (EMG PJ set) Recording: RAIN Recording Livebook; REAPER; Mackie Onyx 400F; Tannoy Reveal 5A's; Audio Tech. ATH-M50's; Superior 2.0; Voxengo Elephant www.myspace.com/marcushedwig |
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#267 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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Looking at what claims to be a Dual Rec schematic (note: I'm not fully convinced of the authenticity, so this post concerns ONLY what I can tell from *that schematic* and is not to be taken as divine revelation, relied upon in mission-critical systems, bet on, or otherwise taken to be anything more than a few notes on what the schematic says)... there is precisely one tube that comes before the gain control (V1, and from the looks of it only half of it is used), so if pissing off that one tube (before any kind of equalization - specifically, bass taming) is that big a deal, you could use a skullfuckingly loud input signal to overdrive it. (Note: a signal at this level would overdrive any amp's input stage.) Keep in mind, though, that slamming one tube really hard isn't exactly the classiest way to get distortion - the reason you have eighteen thousand tubes in those buggers is that smoothing out the distortion by having several gain stages doing something will lead to generally more usable sounds than getting the same amount of mess from one gain stage. Now, you are talking about a truly cuntripping input signal at this point... strictly speaking there will be a difference, but with what you do I'm not sure you'll want it. (End disclaimer, again... don't bet a kidney on this shit - this is an amateur reading a schematic whose authenticity he can't verify after drinking more than his mother would like. I wouldn't even bring this part of the discussion over there, because there's no telling what the fuck would happen if they had in their presence a guy who completely despised tubes and would rather trust the scientifically-justifiable than the passed-down-between-generations-of-blues-rock-wankers-who-thought-they-were-smarter-than-they-really-were...)
To step back and go into more detail on the original posts... the first you quoted is essentially stating that more gain means tighter tone. (I'll let your experience determine your take on that.) The second quote is accurate (*twitch*) in that there will be a difference between a hot input signal and a higher gain knob setting, as far as one goddamned tube's input signal is concerned, but to blather on about 'natural clipping point' and pretend that using EQ before the amp is a grave offense is simply hilarious. There is nothing natural about clipping - the whole *point* is to feed an electronic gizmo more signal than it ever signed up to take. Throughout, he is saying 'compression' (which would make his statements much more valid, if it were even half the bloody story) and not 'clipping' (which is what's actually going on any time a tube makes a decent sound - even the 'tube clean' sparkle is mild clipping that doesn't sound scratchy), which makes me suspicious. There's also no indication that he's really clear on what you want on the TS, but since that omission may be due to limited samples of his posts I'm holding back on that. I'd be less concerned about missing out on godly tone due to the absence of a massive clean boost and more concerned about easily-foreseen attempts to lure you into feng shui and transcendental meditation to reach your full 'Spirit Phoenix Potential' or some similarly whacked-the-fuck-right-out shit. There's enough technobabble to seem coherent, but if this were even a tenth of the story life would be much simpler. Jeff |
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#268 (permalink) |
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The call of the couch
Join Date: Feb 2005
Location: New York, USA
Posts: 19,983
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Hahahahahaha, spot on as always Jeff, and much appreciated - and don't worry, I had absolutely zero inclination to deviate from the TS path, I was just curious as to whether factually what he was saying held up!
__________________
Please check out my EP! (updated mix) Thread | MyspaceGuitars: Ibanez Prestige RGA321F (EMG 81's @ 18v); Jackson DK2 (JB + STK-S1n); SX Jazz Bass (EMG PJ set) Recording: RAIN Recording Livebook; REAPER; Mackie Onyx 400F; Tannoy Reveal 5A's; Audio Tech. ATH-M50's; Superior 2.0; Voxengo Elephant www.myspace.com/marcushedwig |
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#269 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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Right... well, pending further investigation...
(Read: until someone donates a bloody Dual Rec to the JBroll Foundation For Utter Rubbish, convinces me that tubes aren't a bunch of pratty nonsense to make people pay far more than they should for being loud, and gives me enough time alone with the thing to make some people wonder if the amount of time I've spent confusing the shiny little bastard is long enough to qualify as grounds for common-law fucking marriage...) I'm going to have to stick to the TS recommendation. As always, it's important to be able to tell the difference between when I'm talking out of my ass and when I'm talking out of my ass *scientifically*, but I think here my wild conjectures and gin-fueled bitterness will suffice until someone with more patience with electronics comes to settle the deal conclusively. In any case, I wouldn't buy one of those SD booster gizmos, as making a comparably clean boost is far easier than the two- or three-hour work you and I have to do to pay for something at that price. Jeff |
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#270 (permalink) | |
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Member
Join Date: Apr 2007
Posts: 86
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Quote:
A friend of mine has a Dual Recto and I suggested the TS to tighten the low end and clean the fizzyness ita bit. Only problem is with his clean tone. He does have delay and chorus that he only uses with clean tone. He took the TS out because he didn't like hitting 2 buttons (TS and Channel) at the same time. Do most people just leave the TS on all the time (with clean tone)? The description on "Usage" seems that the pedal would be passing pretty much clean tone. |
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#271 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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I turn mine off for clean sounds.
I don't see how the description even comes close to saying that the pedal would pass a clean tone. If your friend doesn't like hitting too many buttons, how exactly does he activate the clean effects? Jeff |
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#272 (permalink) |
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The call of the couch
Join Date: Feb 2005
Location: New York, USA
Posts: 19,983
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Well you can toggle the loop on/off on Rectifiers (or set it to only be on for one channel), so he probably has them always-on in the loop. I admit the two-pedal-stomp for cleans would be a bit annoying, but god it is fucking worth it, and nowhere near as annoying as the flubtacular flub of omitting the TS before one of those amps!
__________________
Please check out my EP! (updated mix) Thread | MyspaceGuitars: Ibanez Prestige RGA321F (EMG 81's @ 18v); Jackson DK2 (JB + STK-S1n); SX Jazz Bass (EMG PJ set) Recording: RAIN Recording Livebook; REAPER; Mackie Onyx 400F; Tannoy Reveal 5A's; Audio Tech. ATH-M50's; Superior 2.0; Voxengo Elephant www.myspace.com/marcushedwig |
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#273 (permalink) | |
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quit staring at me, cunt!
Join Date: Jan 2009
Location: BoozeVille
Posts: 1,387
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Quote:
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Yes, what you thought about me judging from the post above is quite true indeed. I'm very hyperactive and when I'm not, I'm stoned. That technically doesn't count in as split personality disorder, though. It just depends on whether I'm high or not. Give me a buzz if you're interested in Beat Detective services! ----------------------------------------- |
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#275 (permalink) |
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I MIX WITH PHYSICS!!!!
Join Date: Mar 2006
Location: San Antonio, TX, USA
Posts: 5,406
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Glad to hear it.
A warning about the switches... I've noticed that mine doesn't work as easily when the battery is low. With electronic switching this is absolutely no surprise, but make sure you try a battery swap if you get some failure to activate - it won't be long before the sound shits out anyway, so keep spares. Jeff |
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