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I tracked vocals into a Distressor for the first time last weekend. I don't think I'll ever go without! Not only will it require less processing come mix time, but the vocalist sounded better to himself, which meant more confidence, which meant better takes throughout! Worst case scenario with...

Hey thanks a lot man! Kiitos!:kickass:

Any other critiques?

Thanks man. Yeah, I think there needs to be more taming in the low end too. I know what you mean about "close" sounding. I'm going to reamp the guitars. As far as the guitars sounding weird, I think that's from me trying my best to make really sloppy playing sound tight.

Hey guys, would love some feedback on this! Thanks a ton. :kickass: https://www.dropbox.com/s/xrzpnb9l6nw6d0c/trial%20mixtest.mp3 A little trivia, I played bass and did the section of vocals at 1:30.

Hey, I has anyone figured this out? I didn't even realize this was a problem until a friend pointed out that every time I raise/lower a fader, it changes the input gain on my plugins. Pretty stupid.

Thanks for this man. Killer song.

"Problem loading page" in Firefox. Bummer, would love to work on something with clean vocals.

A little late, but here's my mix. After listening a bit I think the bass is a little loud and the snare is a bit lacking. Thoughts? :dopey: https://www.dropbox.com/s/ngbkebww1ubtrtb/Transcendant%20MASTER%201.mp3

I don't suppose we could get some stems...:notworthy

Dude, fuck yeah. This band and mix is kickass! Unique to say the least.:kickass:

I shared it on my Facebook but there was a clitch and it made it so it looked like my mother in law posted it haha. :goggly:

Dude, you really did a killer job on this IMO. The sound is fantastic for the style. It's dirty but still punchy. Great job!

It could be a placebo effect. Haha. But I would think so. Sort of like taking the windscreen off an sm7. Also, I was going to suggest using your nicer pre on snare rather than kick.

Im getting a 404 on the DB link. Care to repost? I would love to practice with this.

For softer, more subtle stuff I would definitely add a bottom snare mic. Let some ghosty nuances come through a little better. I've had good luck with the i5 on the bottom, especially if you take out the little foam piece inside. Good luck! It sounds like fun. I have yet to record drums that...

Levels (get em right with the loudest peaking around -8,-6), panning, high and low pass filters everywhere, basic subtractive eq. I try not to solo too much but it's damn hard not to!

I usually just use one 57 pointed at where the cone meets the rest of the speaker. It's in a cube shaped basement room. Does room shape and size make a big deal when close micing a cab?

I have the opposite problem. My mic'd guitar sounds are SUPER dark and muddy.

I'm not a drummer but I'm damn good at programming drums. PM me!:kickass: