Yeah, there's a couple other tricks I do to simulate room mics, including this one. -The 'mic the monitors' trick -Send pre-fader to a room verb -Send pre-fader to an impulse of a room. -Trigger Slate/Superior room samples and use that as your room 'mic.' I will also say the other benefit of the 'mic the monitors' trick is that when you do it POST editing, you get zero issues with the kick drum maybe having to be edited separately from the rest of the kit and not being in phase with the room mics. That way, you can have the rooms as loud as you want in the mix without worrying about flamming.