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Issue 17 - October 4-5, 2001

Discussion in 'Songs To Watch' started by Demonspell, Oct 5, 2001.

  1. Demonspell

    Demonspell cheating the polygraph

    Apr 29, 2001
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    dead between the walls
    Written October 4-5, 2001

    Greetings, devoted readers! This installment should make up for everyone who was disappointed with the near absence of extreme metal in the two editions I have written since the still all-encompassing disaster in NYC…living in the shadow of ground zero definitely causes you to reevaluate your priorities. But as always, I intend to cover a strong diversity of artists, and this week I hope to begin a recurring feature in this column: The Progressive News, in which I will report on recent developments in metal that may have slipped under the radar. And now, the songs…

    Agalloch – Kneel To The Cross: The innovative melodic death act whose 1998 debut Pale Folklore attracted frequent Opeth comparisons. This song is from a recent EP of both old and new material called Of Stone, Wind, and Pillor, and expands upon the debut by including some clean vocals. Available at

    Arena – The Butterfly Man, Ghost In The Firewall: Progressive rock act whose songs are frequently dramatic, in large part due to Rob Sowden’s expressive vocals and great keyboards from Clive Nolan, who displays his knowledge of his instrument on the latter track. The former is a haunting nine-minute composition…

    Bruce Dickinson – Silver Wings, Acoustic Song: After going through numerous changes in conception, the long-anticipated solo compilation has received great press from most. The former, available at, is the better of the two songs written for it, having an Aces High-like feel that Bruce admits is deliberate! The latter is much more thoughtful than its generic title hints at, and has some great lyrics.

    Dysrhythmia – Orbiting, Circulatory System Overload: Instrumental prog act discovered through the stations. Again, I don’t know much about them, but they do have an album called No Interference. Both songs are very good for their genre and feature well-executed arrangements.

    Emperor – The Tongue Of Fire, In The Wordless Chamber: This fall’s most anticipated extreme metal release Prometheus: Discipline Of Fire is finally upon us, now available at The End. Both of these songs are among their best, the latter having an effective symphonic arrangement and the former having some great riffs, instrumental breaks, and a multifaceted vocal performance from Ihsahn.

    Gamma Ray – The Heart Of The Unicorn, Lake Of Tears: No World Order has received mixed advance reviews, some are already complaining of Kai’s apparent regression. The album does have some great songs, but also its mistakes. The former is an especially obvious Painkiller ripoff. The latter ballad does have some good acoustic work and a decent chorus, but lacks the spirit of earlier albums.

    Immortal – Solarfall, The Darkness That Embraces Me: Well-known black metal act who has advanced beyond the unrelenting and unlistenable approach of earlier releases in recent years…but their famously bad English hasn’t improved! Both of these songs feature some great riffs, especially the latter song from Damned In Black.

    Maudlin Of The Well – They Aren’t All Beautiful, Bizarre Flowers/A Violent Mist: Avant-garde act best described as progressive doom metal, their simultaneous releases Bath and Leaving Your Body Map are among the year’s most innovative. The former song is among the more aggressive (as the sarcastic title indicates), while the nine-minute plus latter song is a great example of how they incorporate prog influences within a doom context, featuring an eerie midsection and a great instrumental break.

    Morgana Lefay – Witches Garden, Alley Of Oaks: Dark-edged power metal act who disbanded last year as a result of continuing problems with alcohol and their former label. The Secret Doctrine and Maleficium are usually considered the best of the albums they left behind. The former song has a great heavy riff, while the latter is among their many great slower tracks.

    Nightingale – Deep Inside Of Nowhere, Alive Again: Aside from Edge Of Sanity, the best known project from the hyper-prolific Dan Swano, who has released albums under over a dozen names. Both of these songs hail from The Closing Chronicles, the latter being a highly emotional track while the three-part latter composition has a great extended instrumental section.

    Pain Of Salvation – Black Hills, Inside Out: Last year’s The Perfect Element did much to increase exposure for this highly innovative and extremely dramatic prog act. These songs are from the earlier and equally impressive Concrete Lake (my personal favorite), the former having a great extended instrumental section while the latter has a heavy lead riff and a memorable acoustic solo. New album Remedy Lane expected early next year.

    Payne’s Gray – The Duelists, Crystal Palace: Power/prog act I again don’t know anything about except that they did a concept album about H.P. Lovecraft, which is definitely worth my attention! Both of these songs have some great arrangements. The former ten-minute track is not a cover of the underrated Maiden song…

    Queensryche – Last Time In Paris, From The Darkside: A pair of rarities from the band that nearly single handedly invented and popularized progressive metal. The latter track is from the RFO sessions and would have easily fit on that great enigmatic album. I’m not sure of the former’s origin, but it sounds more recent and has a great chorus. (it's a B-side from Empire. - ed.)

    Soilwork – Machine Gun Majesty, Spirit Of The Future Sun: Melodic death act that has received many favorable reviews, although I don’t care for much of their material. These songs from The Chainheart Machine are an exception however, featuring much sharper riffs and solos than most of the overrated Predator’s Portrait.

    Thales – Solace, Pellucid Lake: Unsigned act discovered through this page’s Opeth forum and unsigned spotlight page. Although both of these songs are instrumentals and sound like Opeth missing their vocal tracks, they are not entirely indicative of their direction and the band is currently seeking a vocalist. I eagerly await to hear the result. Both songs available at

    Therion – Ginnungagap Prologue, Jotunheim: The pioneering symphonic metal act returns this month with Secret Of The Runes, a concept album based on Norse mythology. Despite the title, the former track is a complete song at six minutes, featuring the great arrangements we have come to expect from Christoffer Jonsson. The former track is indicative of the heavier sound said to be on the album.

    Under The Sun – Gardens Of Autumn, The Time Being: Progressive metal act discovered through the stations. The latter song is a ten-minute epic featuring several well-executed time changes and instrumental sections, while the latter has a powerful main riff and arresting vocals.

    Unholy – Daybreak, Of Tragedy: One of several doom acts who uses counterpoint between ethereal female and guttural male vocals, at least on the few songs that I have heard. The former track is a lengthy composition relying on a repetitive but effective main riff. Fans of bands like Tristania should be interested.

    THE PROGRESSIVE NEWS, vol. 2 (the first was last week’s live album report): The big story has to be the postponement of the Judas Priest (Dumbolition is going over real well!)/Anthrax/Iced Earth tour. This has been one of the many consequences being felt in the metal community owing to the scum of the earth, Osama Bin Laden. Iced Earth has made the most out of the situation by joining the Megadeth tour (leaving one sinking ship for another?), unfortunately not in my area, and embarking on a short headlining tour…speaking of Iced Earth, congratulations to Century Media, who in their ten years has grown from a tiny Florida label (IE being one of their first signings) into metal’s industry leader and has given us many of the best releases of the 90s. Let’s hope they can survive, given that Iced Earth is leaving and there are rumours that Nevermore may soon follow…I’m not one to criticize changes in lineups and/or artistic direction before they happen, but some are occasionally so offensive to the listener that all hope disappears with the very suggestion. One would be the rumoured collaboration between a band that shall remain nameless (let’s just say they have a Danish drummer) and a rapper. On a much smaller level of exposure, the Italian power/prog act Secret Sphere recently announced they were going to pursue a more glammy direction, thereby going from an extremely promising band (this year’s A Time Never Come is awesome) to a joke in waiting in less than a year, I’ve also heard that Labyrinth might be breaking up, not good for Italian metal’s already damaged reputation. But then there are lineup announcements that cause enormous anticipation and awe in fans from the moment they learn of them. A recent example of this would be Arjen Lucassen’s latest project, which he describes as a heavy release (though not under the Ayreon name) featuring four vocalists: Russell Allen, Ayreon/Threshold veteran Damian Wilson, After Forever’s Floor Jansen, and most intriguing of all the ubiquitous cult figure Dan Swano, in a meeting of two great progressive thinkers and multi-instrumentalists. Lastly, I have some bad news regarding what was until now one of my sources. The well-known metal mp3 page, a large and comprehensive database, a link to which frequently appeared in past installments, was shut down by industry associates this week…it will definitely be missed.
  2. MetalAges

    MetalAges Metal Is As Metal Does.
    Staff Member

    Sep 30, 2001
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    Virginia, USA
    I must add that I LOVE the new Gamma Ray album, Painkiller reminiscent or not. The songs rock and the power is classic Gamma Ray. If you love Gamma, and don't expect for their wheel to be reinvented, GET IT!

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