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Most Intense Opeth Song?

Discussion in 'Opeth (Archived)' started by Dement, Jun 20, 2006.

  1. [KOTNO]Narrot

    [KOTNO]Narrot Eats and spits corpses...

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  2. neilyoungfan

    neilyoungfan Its Herbie Hancock

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    ive always found the light part in under the weeping moon to be intense starting at approx the 3:15 mark with all those background noises and shit, funny story about this....me and my friend had this on in his truck goin down a trail in the woods, to a cabin to camp with some other friends. They had gotten there before us without our knowledge and its night time so we park the truck in the dark as hell woods with this part of under the weeping moon just starting when we see a latern in the distance through the trees walking around & coming towards us... and like passing behind trees and shit. when he started running and the latern was moving fast as hell that scared the shit out of us, we had no idea he was down there.
     
  3. worldwide_suicide

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    ^that story is not funny


    I'd say the most intense opeth song would be Beneath the Mire. lol
     
  4. FRUGiHOYi

    FRUGiHOYi "Since 1981"

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  5. arzachel

    arzachel Member

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    ending credits
     
  6. Blackwater_Deth

    Blackwater_Deth Larry David=Best Jew Ever

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    The Moor and Master's App. by far:heh:
     
  7. angelofdeath9308

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    Blackwater Park
    Dirge for November

    Karma
    April Ethereal

    Master's Apprentices
    and almost By the Pain I see In Others, but not quite
     
  8. spigot

    spigot Member

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    Karma(esp. the ending), White Cluster(middle), Deliverance and By the Pain I see in Others are pretty intense. My fav. though would be when the solo and double bass come in at about 6:00 of Under the Weeping Moon.
     
  9. Towedwart

    Towedwart I will have a apple

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    Dude... absolutely on those two. Seeing UTWM live... when that double bass came in... holy crap. It was awesome.
     
  10. ~random~

    ~random~ Longing for the Darkness

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    Was it a double bass? I thought it was just fretless?
     
  11. the opeth affinity

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    wreath: ;'coming of morning'....... then an acoustic break then it all goes heavy again, thats an example of what makes mike such a good song writter. there was no need to put that part in but creative thinking and a tendancy for progression is what makes opeths music so interesting
     
  12. Punkatt

    Punkatt New Metal Member

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    Master's apprentice goes beyond any other right now.... as soon as its flicked on the bas in my hearphones go max neverminding the potential hearing aids I'll be recieving later.
    The intro phuh, followed upp by the sweatness of Mikeal soft chords accompanied by song and bass then suddenly ripped of at 7:45 into a massive thunder strike followed by a solo. There is no other song that manages to rip it of with such force yet maintaining the settleness of the opeth sound, it is my church, my altar, my choire.

    P.S I can play it aswell as a couple of other songs! Therefore I will also recommend Ghost of Perdition, April Etheral, The twilight is my robe and The drapery falls.

    "There is a voice calling to me!" :headbang:
     
  13. FRUGiHOYi

    FRUGiHOYi "Since 1981"

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    No way is Master's Apprentices even close to the intensity of Blackwater Park towards the end of the song.
     
  14. Korlich

    Korlich So Judah fucked it up

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    BRI, karma, WC..
     
  15. daz436

    daz436 Konfused

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    lol, seriously though...
     
  16. Towedwart

    Towedwart I will have a apple

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    Drums, man.... drums.... the double bass pedals. You know?
     
  17. in limbow

    in limbow wobmil ni

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    Deliverance or In Mist She Was Standing
     
  18. Sean Casey

    Sean Casey New Metal Member

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    The Final Countdown
     
  19. illidurit

    illidurit New Metal Member

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    april ethereal period
     
  20. all_sins_undone

    all_sins_undone New Metal Member

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    LMAO
     

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