I'm sorta stumped that nobody has commented on the new Demons and Wizards despite the fact that it's been out over a month. Is it too mediocre to take the time to post an opinion, or is everyone assuming that it kicks butt? I'm in the later camp. I'd give it a 9.4/10. I seen that Martin Popoff of BWBK gave it a 6/10. That's quite a joke of a score that should make anyone here question his credibility on reviewing music.
Touched by the Crimson King certainly has a different vibe to it than the S/T release, but it's extremely well done. I can't say I like one more than the other, although "Fiddler on the Green" is the best song on either disc, IMO.
I love the slower, melodic tempo on TBTCK as a whole. Quite atmospheric and heady. IMO, Hansi has never sounded better. I think he's best at the mid-tempo, melodic numbers versus the faster numbers where he screams more than sings. It's hard to ooze emotion on tracks like, "Down Where I Am" when the double-bass drums are raging at several thousand beats per minute.
Jon's guitar work with the acoustic is also excellent. There's probably more acoustic guitar on this disc than any other he's done. And I really like how he overlapped the electric and acoustic guitars on songs like, "Seize the Day". Producton by Jim Morris and Jon is top notch as usual.
I think the songs, "Lunar Lament" and "Spatial Architects" on the Limited Edition release should have been included on the full-length CD, but that's all marketing controlled by SPV. The Led Zepplin cover is the only dud. Certainly not Hansi's best moment. I've grown to like the cover art a bit more over time, but the packaging really pales in comparison to the debut release. Other than those minor issues, this disc gets my highest recommendation.
My top three:
1. Down Where I Am
2. Seize the Day
3. Love's Tragedy Assunder
Touched by the Crimson King certainly has a different vibe to it than the S/T release, but it's extremely well done. I can't say I like one more than the other, although "Fiddler on the Green" is the best song on either disc, IMO.
I love the slower, melodic tempo on TBTCK as a whole. Quite atmospheric and heady. IMO, Hansi has never sounded better. I think he's best at the mid-tempo, melodic numbers versus the faster numbers where he screams more than sings. It's hard to ooze emotion on tracks like, "Down Where I Am" when the double-bass drums are raging at several thousand beats per minute.
Jon's guitar work with the acoustic is also excellent. There's probably more acoustic guitar on this disc than any other he's done. And I really like how he overlapped the electric and acoustic guitars on songs like, "Seize the Day". Producton by Jim Morris and Jon is top notch as usual.
I think the songs, "Lunar Lament" and "Spatial Architects" on the Limited Edition release should have been included on the full-length CD, but that's all marketing controlled by SPV. The Led Zepplin cover is the only dud. Certainly not Hansi's best moment. I've grown to like the cover art a bit more over time, but the packaging really pales in comparison to the debut release. Other than those minor issues, this disc gets my highest recommendation.
My top three:
1. Down Where I Am
2. Seize the Day
3. Love's Tragedy Assunder