Give it time people. Trust me...
This admission is coming from one the premiere Therion fans on this forum: when I first listened to
Sitra Ahra, I too was majorly disappointed compared to the past several albums. The first thing I noticed was that the guitars didn;t stand out as much as the previous 3 studio releases. The Niemann brothers were gone.
But what scared me just as much as there was no heavy presence from Lori and Katarina. They are acknowledged in the book, yes, but they were not prominent on the recording and it is evident.
But I am a Therion fan first and foremost. For me, there is no turning back.
I persevered. I kept going back to the album and giving it more chances.
Finally something clicked after about the 4th or 5th listening. I'm not sure what it was at first, but with each passing through the album more and more songs hooked me. I think it was primarily the subject matter; the fact that it was not another concept album.
If you look at the liner notes, you'll notice that this is perhaps an experimental album. Have you ever heard a Harmonica in a previous Therion song? I haven't. Accordians? Maybe, but not as noticeable as it is here. Look at their garb in the promo shots. Chris and Thomas in particular border on
SteamPunk.
And besides the instruments, the childrens choirs, the baritone opera singing, etc... look who mastered it:
George Marino.
But back to the album... do I LOVE every song? Actually no, I don't. My least favorite songs are thankfully at the very end of the album:
The Shells Are Open and
Chidren of the Stone. I don't like the way
The Shells are Open begins. I simply can't get past that mess. And for the same reason that several of you have already mentioned, the childrens choir is ran in the ground on the final track. And poor
Din - a great throwback to their earlier years - is stuck in the middle.
Now, the good stuff starts at the beginning of the album and only gets better and better with each track - up until
Kali Yuga III. After which I usually skip to
Din and then I'm done.
Faves include
Unguentum Sabbati,
Hellequin, and
2012. Funny story - I couldn't stand Hellequin when I first listened, and was majorly disappointed when I found out it was being included on the setlist in South America [why not 2012?!]. But after letting it sink in and really listening to it, I find it to be a favorite track now and hope they play it live at PPUSA XII!
Yes, the vocals on Sitra Ahra are a little dry in places - probably due to the mastering we're not used to - but also because we've gotten so used to the magnificent Mats Leven for the past almost ten years. Do I miss him? HELL YEAH! But Thomas is doing a great job, and some of the more recent live footage shows me that he's settling in quite nicely.
Personally I cannot wait for Therion to take the stage in Atlanta again this year. I don't care which songs they bring because I know I'll enjoy the show regardless. I'm hoping for several favorites, but will be happy no matter what. And until then I will continue to spin Sitra Ahra and their entire catalog (I'm actually only missing the first 2 by choice - don't care for the death metal).
I do hope that Snowy, Lori, and Katarina remain with the band throughout this year and for many more to follow. I
want to see this combination on stage.